Lost Style - Ge Gan-ru from New Albion Records with Four Studies of Peking Opera recorded by Kathryn Woodard and the Shanghai Quartet Available on iTunes and from other major media outlets

These are selections from repertoire that I've collected over the last ten years, featuring various musical intersections across regions of Asia. They were recorded at Texas A&M University in 2006 with support from the Academy for the Visual and Performing Arts. (Joel Gordon, recording engineer.)

Panorama (1996) by Eka Chabashvili (Republic of Georgia, b. 1971)

Silhouettes (2001) by Dmitri Yanov-Yanovsky (Uzbekistan, b. 1963)
- Igor Stravinsky
- Maurice Ravel / George Gershwin
- Charles Ives
- John Cage
- Dmitri Shostakovich
- Claude Debussy
- Alfred Schnittke

Bazme Rabbani (Spiritual Gathering – 2002) by Umar Temor (Tajikistan),
transcribed for piano by K. Woodard

Ji No. 3, Silent Mountain (1994/2001) by Qu Xiao-Song (China, b. 1952)
(composed for zheng in 1994, transcribed for piano by the composer in 2001)
(Published by Peermusic)

Endless Stairways (1999) by Sangidorj Sansargereltekh (Mongolia, b. 1969)

Pas de deux II (1987) by Keiko Fujiie (Japan, b. 1961) (Published by Zen-on)

These are electro-acoustic works written for me:
Fork Variable (2001) by Paul Hogan
run-on sentence of the pavement (2002) by Paula Matthusen
Language (2005) by Alan Sentman